Snarky Cat and Alice with their Flying Friends

Snarky Cat is hiding under the brolly, held spellbound by all the birds flying about... he knows its lucky if they drop anything squishy on his head, but ew!

The quote I've written using Tim Holtz Idea-ology stickers (Halloween and Small Talk) say ... watching and waiting, held spellbound. When nothing is sure, everything is possible (so) stay curious.
Looking back as I write this blog post, I am wondering who's doing the watching and waiting, Snarky Cat, Alice or the vultures, I mean sparrows. lol :)

How this art journal page was created...

Above ... a few of my favourite things used for this journal art page : from left, Tim Holtz Sizzix Thinlits 'Silhouette Birds', Dina Wakley MEdia Collage Tissue 'Flying Things' and Dyan Reaveley Dylusions Dyalog Insert Book 'Backgrounds 3'.

First, gather the outer scraps from diecutting lots of Tim Holtz Sizzix Silhouette Birds out of Tim Holtz Heavystock Kraft. 

Next, roughly cut around the flocks of birds from Dina Wakley MEdia Collage Tissue, and choose a background inside the Dylusions Dyalog Insert Book. 

Using a paintbrush, apply Dina Wakley MEdia Gel Medium to the back a piece of tissue, layer it into place on the Dyalog page then smooth it down with the same brush. Repeat for the rest of the flock. The white paper may disappear as it dries, however this result (for me) varies like the weather. Wash your brush before the gel dries!

It is best to use a craft mat or glass media mat so this next step of a painted layer doesn't stick to your table as it dries. I have used white scrap paper underneath to make it easier for you to see what I've done.

Use a paintbrush with Dylusions Acrylic Paint in Black Marble to paint, cover the whole die cut piece. Lift carefully while wet and place it loosely down again (on your mat or a drying tray), so it is easier to pick up once dry. Leave to dry.

If you used a black sheet of cardstock instead of kraft, you can skip this step and go straight into sponging shadows.

Apply lighter colours using a coarse sponge. I've used Distress Paint in Lost Shadow (shown above) and Dylusions Acrylic Paint in Balmy Night.

Dabbing lightly to keep a speckled effect, work the colours to be darkest at the top and lightest near the bottom of the piece. Leave to dry. Wash your brush and sponge before the paint dries!

After the paint has completely dried, brush on Collage Medium or Gel Medium to the back (as above). Lay this piece over the background of flying birds. Work fairly quickly so the glue does not dry before you have it in place.

Alternatively, use the Tim Holtz Collage Medium in the bottle or a glue stick. Some like to use staples or adhesive tape to secure layers too.
If you have trouble with lining up layers, keeping layers in place or glue dries faster than you can work, simply use pegs or hinge clips to hold the two layers together first. Then keeping one side attached so it doesn't move, lift the loose side and apply glue however you wish, using what works for you. Press the layer down, put the clip back on to hold that still and repeat for the other side. Remember, it is art, therefore doesn't matter if it is crooked or upside down!

Rummaging through my stash of stamped leftovers and paper embellishments, I picked out Snarky Cat stamped onto Distress Heavystock White Paper from the Tim Holtz Snarky Cat Halloween set, the umbrella from Idea-Ology Engravings Layers, Silhouette Birds cut out of kraft Heavystock, and a fussy cut Alice in Wonderland figure from the 8x8 Stamperia Paper Pad. I used a black fine pen and white gel pen to draw on birds' eyes.

Have a wonder through your alphabet Thinlits die cutting sets, alphabet stamps, quote stamps or Idea-ology stickers to say something, tell a story, share your thoughts, add song lyrics or write a poem.

Hope this creative journaling page inspires you to have a go, play with colours, use up those scraps you've been saving for that opportune moment and have a fabulous messy time!

Happy Creative Day!

:)

Jenny

How to Create a Fun Christmas Collage

Merry Christmas!

Its that fab time of year when we add elves and holly to almost anything. This mixed media artwork was created using the adorable Dyan Reaveley stamps, Dylusions Ink Sprays, Tim's gorgeous Collage Paper and a few other supplies. I hope it inspires you to have a go and enjoy the fun process of smooshing paint and colouring stamps!

The colours were inspired by this beautiful bucketful of Geraldton Wax my Dad placed at my door after he pruned our tree.

List of treasures used ...

- Strathmore Paper Pad - Mixed Media - Series 400 - 9x12
- Dylusions Mixed Media Cardstock
- Tim Holtz Idea-Ology Collage Paper "Forest"
- Dylusions Acrylic Paint (link is to all colours)
- Dylusions Ink Sprays (link is to all colours)
- Finnabair Metallique Antique Coin (tap here for all Art Alchemy Metallique paints)
- Dylusions Stamps "Kiss Me Under the Mistletoe" and "Elf Improvement Class"
- Tim Holtz Idea-Ology Cling Foam Stamps - Christmas Ornaments
- Stencils by Dylusions, Tim Holtz and Studio Light (click here for all stencils)
- Jane Davenport Cave Black Squid Ink (or use Ranger Jet Black Archival Ink)
- Dylusions Paint Pens (black and white)
- Kuretake Hikkei Black Double Ended Brush Pen
- Finnabair Extravagance Paper Texture Paste
- Ranger Multi Medium Matte
- Dylusions by Dyan Reaveley Mini Collage Glue Stick
- Tim Holtz Non-Stick Mini Snips
- Tim Holtz Plastic Spatula (click here for all spatulas)
- Tim Holtz Distress Splatter Paint Brush
- Paint Brushes (link is to all paint brushes)
- Tim Holtz Distress Sprayer Bottle
- Ranger Ink Blending Tools (click here for all blending tools)
- Acrylic Stamping Blocks

Shop online at www.shop.artbyjenny.com.au

Instructions ...

The first thing I did was blend Dylusions Bubblegum Pink Acrylic Paint over the whole of my page using my trusty Ranger Ink Blending Tool. Using the same blending tool, I picked up a speck the Dylusions White Linen Acrylic Paint (I'd put a portion of each colour the size of a 20 cent piece on my craft mat). The white was used to blend over the top right and bottom left of the page, making it a fraction lighter.

The next step was adding some interest into the background... using the small Dylusions Squares Stencil and with the white still on the blending tool, I added patches of squares (see below).

Dylusions Paint dries quite fast on a warm day so remembering to put lids back on straight away is important. When finished for the day, I always open up the jars I've used and add a mist or two of water and give it a light shake. This helps stop the paint from thickening as the jar empties (from use!).

Its pretty rare that I'll only use 1 or 2 stencils on a background... I usually choose designs to match my thoughts or the theme of what I'm creating. At this point I wasn't quite sure where I was headed, so adding the Dylusions Arrows was a perfect replica of my thoughts - all over the place! lol :)
They've been layered onto the page using Bubblegum Pink.

Above is a quick overview of the page so far. Here I've added Dylusions Pomegrannate Acrylic Paint through a Studio Light Flower Stencil.

The flower stencil was flipped to add the third flower then Dylusions Honeycomb, Keyholes and Hearts were layered onto the page with Bubblegum Pink and White Linen paint.

Shapes of baubles from the Tim Holtz Idea-Ology "Christmas" Foam Stamps were then printed across the top of the page using Dylusions White Linen Paint.
The above photo shows how : by placing the foam stamp on an acrylic block, applying paint with a foam ink blending tool and pressing to print.

Once all the paint was dry, I stamped on the Santa sleigh from the Dylusions set, "Elf Impovement Class" using a black inkpad. I then coloured over it using a black paint pen to make it stand out even more from the page.

I've pasted two pieces of Tim Holtz Collage Tissue Paper onto the page using a matte medium gel (adhesives like Mod Podge or Ranger's Glue 'n Seal will also work) and a wide flat paintbrush. The piece on the right hand side has been torn and pieced back to work around the sleigh.

How to add a layer of tissue... brush the matte medium gel or glue onto a small section of the page. Place the tissue paper onto this section and smooth it down using the same brush. Lift the unglued section carefully and apply medium underneath, smoothing it down with the brush as you go.

This technique makes it easier to line up the tissue paper without it getting stuck where its not wanted. The smaller section then holds the paper in place while you glue the rest of it down. If you put glue over the whole page first, it might be dry before you've placed your tissue. The size of your section depends on your page size and the weather... I generally work in strips of 2-3 inches wide until the whole sheet is stuck. I also cover the whole page with more matte medium to ensure it is completely stuck! On a loose page like this one, I fold and glue the excess to the back.

White splatters of paint always seem to liven up a page. Sometimes I use the Dylusions White Linen Ink Spray or Tim's Distress Spray Stain in Picket Fence.
I still had some White Linen paint on my craft sheet so added a few sprays of water and mixed it in with the splatter brush (as shown above). I then flick paint all over the place and let it dry.

Adding areas of texture paste onto a background creates a tactile element to the page. The Ranger Translucent Gel Texture Paste is easily seen when wet and clear after its dry.

Using a spatula or palette knife (some use an old credit card), scrape the gel across and through a stencil (I've used the Tim Holtz "Poinsettia" and "Festive" Layering Stencils). Lift the stencil carefully to reveal the beautiful design.

The above photo is a closeup of the texture paste before it dried. Once dry, it is clear but remains raised.

Above is an overview of the whole page so far... waiting for all that texture paste to dry! While waiting, I coloured in my stamps.

Using the Jane Davenport Squid Ink in black, I stamped out oodles of holly leaves, mistletoe and elves. Jane's hybrid ink is both water and solvent resistant... which means you can use it with both watercolours and alcohol markers - and the stamped image didn't go blurry with either of them!

All the images were coloured with Dylusions Ink Spray... the leaves were painted using a small round brush using Fresh Lime with London Blue painted into the shadows and stems. Some had more blue than others and I left all the berries white (ie, unpainted).

The leaves were all handcut using small scissors then edged in Bubblegum Pink Ink Spray (to complment the background). A few sprigs of holly had white space left in tact which was also painted with the pink Ink Spray.

The elves' heads were painted with Dylusions Ink Sprays as well. To get their elfish skin tone, I started with a very small puddle of Bubblegum Pink on my plate (see further above) and added water (2-3 times the amount of ink) to make it alot paler. This was painted onto their faces.
I then mixed in a teeny tiny drop of green to the pink (turning it slightly brown) and used that for shadows around the neck, cheeks and ears.

The hats were painted using Cherry Pie (red) and silly me tried to paint out the spots using white paint before they dried (which is why they're so muddy!). The shadows were added using the greeny brown mix left over from the faces. The bells were different colours to see which I liked best but were only a base for underneath the gold paint.

After the muddle of the elf hats, I painted the shoes more carefully, leaving the white spots without colour... takes longer to do but a much better way to go.
Fresh Lime and Cut Grass were used for the leggings and inside of the boots.

I was hanging out to use the beautiful "Falling Stars" stencil by Tim and the very cool Finnabair Paper Texture Paste (made by Prima Marketing). I applied this thick paste through the stencil and let it dry (which didn't take long, always a bonus!). It remained white when dry with a hard, raised, 3-dimensional texture with a rough finish.

After being introduced to Ranger's Dylusions Glue Stick by Dyan, I've not used anything else (apart from Glossy Accents and various mediums). For such a little gluestick, it packs alot of punch! It dries fast, clear, permanent on porous surfaces and is non-yellowing. Being little is so handy too, as it makes it alot easier to apply glue to tiny leaves and skinny stems.

Almost finished... I cleaned up the elves' hats and fixed up Santa's sleigh using the Dylusions Paint Pens and Kuretake pen. The cat on Santa's sleight got given whiskers and a longer tail.

Closeup photo showing how the legs were pieced together for the two elves carrying the Christmas trees. The pair of legs on the left were cut apart and put back together to appear as if they're walking or taking a step. Each shoe has a spot of gold acrylic paint for the bell.

Not all characters need a body! Simply make them look like they're carrying something (like a tree) or hiding behind something else. Create the illusion of a body by showing just the head and feet, the eyes will do the rest :)

The elf on the right hand side of the page has tripped over a tiny leaf of holly and dropped his tree. Adding another leaf over the top of the thigh hides the lack of body as well :)

All finished :) Click to view larger!

I hope this helps and inspires you to get creative with your layering. Don't forget to allow some layers to dry before adding more. I'm here if you need a hand :) Have fun!

Happy Creative Day!
:)
Jenny

Galahs Christmas Party

Happiness is a gathering of Aussie Galahs having a Christmas party, wearing dress-ups made from the Tim Holtz Merry Misfits Stamp Set. Under their playground of Idea-Ology embellishments and trimmings is a holly forest grown with layers of plaster, paint and collage paper.

This fun Christmas artwork was created over a few days as ink needed to dry and the galahs couldn't decide where they wanted to perch, or even who was going to dress up as Santa and Rudolph. Finally they decided but I still made their masks and hats repositionable, so everyone can take a turn!

I love the Idea-Ology Date Dials from Tim Holtz. They make such a wonderful compact perpetual calendar when matched with a brad, backing image and a pair of tiny Idea-Ology Clock Hands. My new calendar is now hanging from a clip at the top of the artwork with a couple of Idea-Ology Christmas charms so it can be opened easily without falling off the page. Plus, it's not on the page permanently, so it can be reused for other special events throughout the year. So they're beautiful and practical :)

To finish off this Christmas display, I looped in a string of seed fairy lights along the tinsel and held it in place with Tim's little bulldog clips, also called Idea-Ology Hinge Clips.

List of Treasures Used...

- Mixed Media Heavyweight Paper, 9"x12" (for the background)
- Strathmore Watercolour Paper, smooth hot press (for stamping)
- Tim Holtz Idea-Ology Tissue Fringe (all Tim's trimmings are here)
- Tim Holtz Distress Spray Stain, Tarnished Brass (all Tim's spray inks are here)
- Distress Sprayer Bottle (all Tim's tools are here)
- Tim Holtz Splatter Brush
- Tim Holtz Ink Blending Tool and Replacement Foams
- Tim Holtz Plastic Spatula (palette knife)
- Heat tool
- Brusho Sprinkle-It, Gold, Iridescent Gold (click here for all Brusho)
- Brusho Crystal Colours (powdered watercolour paint in Leaf Green, Ultramarine Blue)
- Tim Holtz Layering Stencils  (Thatched, String, Pines)
- Finnabair Art Basics Plaster Paste (all mixed media mediums are here)
- White Gesso
- Dylusions by Dyan Reaveley Ink Spray (Blue Lagoon, Island Parrot)
- Tim Holtz Idea-Ology Collage Paper (Holly)
- Ranger Archival Ink Pad (Black Soot, London Blue, Vibrant Turquoise)
- Tim Holtz Distress Ink Mini Inkpad, Walnut Stain (all Distress Ink Pads)
- Dina Wakley Scribble Sticks (watercolour paints)
- Gel Matte Multi Medium (Tim Holtz Collage Medium, Ranger's, Dina Wakley's or Finnabair, something that dries matte (not shiny so overflow is hidden), acid free, non-yellowing and has a strong hold)
- Ranger 3D Clear Foam Tape (all adhesive tape is here)
- Tim Holtz Waterbrush (Aquabrush)
- Tim Holtz Retractable Craft Pick
- Tim Holtz Retractable Craft Knife
- Tim Holtz Stamps (Bird Crazy, Merry Misfits, Psychedelic Grunge)
- Darkroom Door Background Stamps (Knitting, Plaid)
- Acrylic Stamping Block
- Tim Holtz 5" Mini Snips, left and right handed (all scissors are here)
- Sizzix Tim Holtz Framelits Bird Crazy (all die cutting designs are here)
- Tim Holtz Thinlits, Village Christmastime
- Tim Holtz Idea-Ology Printed Paper (Christmas Stash 8"x8")
- Tim Holtz Idea-Ology Embellishments (Date Dials, Brad Fasteners, Journal Cards, Pocket Watch, Clock Hands, Resin Reindeer, Metal Snowflakes, Halloween Tokens (owls), Baubles, Quote Chips (Christmas, red edition), Metal Typed Tokens, Gold Micro Tinsel Ribbon, Christmas Adornments and Charms)
- Tim Holtz Distress Dry Glitter (all glitters are here)
- Winsor & Newton Iridescent Medium
... if you can't find something, sing out anytime!

All arty treasures are available in the 'Art by Jenny' online shop

www.shop.artbyjenny.com.au

How the Party Started...

Making Golden Tinsel out of Paper Fringe

Starting with the Tim Holtz Idea-Ology Fringe (orange and black paper tissue fringing) and Tim Holtz Distress Spray Stain in Tarnished Brass, I made some mini tinsel. I also sprinked on the Brusho SprinkleIT Gold watercolour powder while the ink was still wet. Then to see how it looked, I added the Brusho SprinkleIT Iridescent Gold. Such a pretty sparkly shimmery dust.

The paper fringing took on the colours and water really well and although I used a fair amount, the paper didn't deteriorate much at all. Thank goodness! I had a backup plan of using real mini tinsel (aka shopbought) but I'm so pleased it worked well.

The above photo shows the fringing fluffed up next to the distressed and stained version. To make it fluffy, simply scrunch it up gently and roll it around in your hands. This ready to use fringing is much easier (and faster) than cutting lengths of fringe by hand!

Creating the Background...

I started with a sheet of Mixed Media Heavyweight Paper. To build up the layers so there was plenty of texture and depth to the forest background, I used Finnabair's Plaster Paste with Tim Holtz Layering Stencils.

Apply the Finnabair Plaster Paste through the stencils using a wide, flat spatula (Tim Holtz black spatula from the set is perfect for this). You could also use an old plastic card or silicon tool but the spatula has a smaller work surface that enables you to apply plaster only where you need it.

 

The Tim Holtz Layering Stencil "Thatched" and "String" were used on the corner areas, "Pines" was used to grow a forest then lastly, "Code" was used to fill in any gaps.
The plaster was dried using the heat tool when extending the pattern of the forest so the trees didn't get flattened when adding more.
I recommend you apply a coat of gesso (clear or white) at this point, something I didn't do. It will help stop the ink in the next steps from soaking into the plaster.

Different kinds of texture pastes, embossing pastes and other dimensional mediums react in all kinds of ways to inks and paints. Experiment and watch what happens! Remember, its art - therefore you can't make a mistake or break anything. Simply enjoy :)

The next step was to add some colour. Place the background in a spraybooth or box (it saves your work surface) and spray the top area with Dylusions Ink Spray Blue Lagoon leaving most of the paper white. Spray with water to encourage the ink to move down the surface.

Turn the paper upside down and spray across the top with Dylusions Ink Spray Island Parrot (gorgeous vibrant green). This encourages the green and blue to mix and blend however it wants, sometimes giving you lines of drips, other times blending so much they're undefined areas of colour. Either way, it'll be beautiful.

The above photo was taken when the ink was still wet. When it dried, the ink faded into this gorgeous vibrant ocean colour with lime green patches.

I loved the colour of the background but it needed to be darker as it was a forest, not the seaside!
I decided to use Brusho Crystal Colour watercolour powders in Leaf Green and Ultramarine Blue sprinked over selected areas (in other words, just about everywhere in the end).

Mist water over the whole surface. Not too much but not too little... the paint needs water to release the colour but too much will make the surface boggy.
This is something that needs experimenting with too, as the results will differ with different paper, quantity of paint, amounts of water and drying time. But its fun to play :)

Using a heat tool again, I removed most of the moisture from the surface and then put it aside to dry properly.
Due to how much ink, paint and water I used, it needed to be left until the next day.

Once dry, I used a Ranger ink blending tool (with the round foams) to apply dark brown ink around the outside edge of the surface and over parts of the raised areas. Then I stamped the halftone background stamp in brown as well but it disappeared while it dried, merged with the other colours and plaster paste. Didn't matter, I knew it was there!

Loving the dark greens! To darken parts of it even more, I changed to Ranger's Archival ink pads (Dylusions' London Blue and Vibrant Turquoise) and blended ink directly to the raised areas using the actual inkpad. Normally I'd use the ink blending tool. The colours stayed visible this time.

Once this initial set of layers was dry, it was time to add dimension with tinsel, embellishments and the cast of crazy galahs.

The tinsel, now fully dry, was laid onto the background and glued in place using a gel matte medium. A length of Idea-ology mini gold tinsel was intertwined around the paper tinsel and also glued down with gel matte medium. I then sparingly dry brushed Winsor & Newton Iridescent Medium over the paper tinsel to enhance the gold even more.

Santa's Sleigh ... This was made from a sheet of tartan or plaid printed paper with the Sizzix Tim Holtz Thinlits "Village Christmastime" sleigh and reindeer template. After cutting out with the Big Shot Plus die cutting machine, the edges were inked with dark brown ink.

To create a shimmery spatter of starry spots over the background, mix a 10 cent piece size of white gesso with equal parts W&N Iridescent Medium and a splash of water. Use a splatter brush or your fingers to flick the paint mixture over the background.

To break up all the dark green, glue down torn pieces of holly, music and words from Tim's Idea-ology Collage Paper "Holly". The sleigh was glued down over the holly, angled to appear to be flying over the scene.

Making the Characters and Party Outfits...

Every party needs guests, dress ups and masks. The galahs, reindeer and dress-ups were created using the Tim Holtz Stamp Sets, Bird Crazy and Merry Misfits.

Each rubber stamp was mounted onto a clear acrylic stamping block and the image printed multiple times onto Strathmore's Watercolour Paper with Ranger's Archival Ink (black). I always stamp out more than I need, then I've spares to use another day!

The reindeer masks had some texture added using the spotty halftone design from Tim's Stamp Set, Psychedelic Grunge and two Darkroom Door background stamps, Knitting and Plaid.
Using Walnut Stain (dark brown) Distress Ink Mini Inkpad, ink up just part of the stamp (see the dark area on the rubber stamp above), just enough to cover one reindeer head. Press to print onto the reindeer's face.

Cut out all all the birds using the matching Tim Holtz Framelits die cutting templates with a die cutting machine (like a Sizzix Sidekick, Big Shot or a Cuttlebug) or fussy cut around each shape using Tim's Mini Snips (fine sharp scissors). Use the same scissors to trim around all the reindeer heads, one reindeer, the snowman's hat and Santa's head.
Use the ink blending tool that still has Walnut Stain on the foam to ink around the edges of all characters and masks. This hides the white paper core, making them blend better with the background.

All stamped images were coloured using Dina Wakley Scribble Sticks with waterbrushes. You can use anything to colour stamped images ... pencils, watercolours, Distress Inks, markers, crayons and pastels. Its best to use a translucent ink or paint so the details still show through when you paint over them. A gouache or acrylic paint will cover everything as they're a solid, more opaque medium.

To colour with watersoluble crayons or art sticks ... Make sure the tip of the waterbrush is wet and brush the end of a fuschia pink Scribble Stick to collect the paint. Blend the pink onto the craft mat or paint palette to create a small puddle of paint which is used to paint the birds. As you can see, I created 3 puddles of paint - pink, grey and yellow. The peachy colour was used under their beaks.
Rudolph's red nose, the snowman's top hat and Santa's hat were coloured with Candy Apple (bright red) Distress Watercolour Marker then layered with a glitter pen.

Idea-Ology Embellishements...

Giving the guys something to play with is important for any Christmas party! Tinsel needs baubles, shiny ornaments and a calendar to count down the days to the big event.
What do you do if you can't decide which metal Idea-Ology adornments and charms to use? Colour them all... and decide later.

I've used all my favourites : snowflakes, mirrored stars, owls from the halloween pack, the bird from another pack, typed tokens, word banners (which I didn't use in the end), pocket watches, brad fasteners, date dials and clock hands.

The Ranger Alcohol Ink Mixative (silver) was used to colour most of the adornments, using a piece of felt, packaging from the pocket watches and a pair of tweezers. I used the felt as a brush and painted the pieces silver, using the other end of the felt to polish off excess ink after they were dry.
Alcohol Ink doesn't take long to dry so its a fiddly but quite fast process.

I felt the snowflakes and baubles need a splash of shimmery glitter, so they were thinly coated in Ranger's Gel Matte Medium (use a brush or fingers, whatever works for you) and dipped into the jar of Tim's Distress Dry Glitter.

The sizes of the Idea-Ology pocket watches and date dials match each other perfectly. I put together two pocket watches with the date dials inside but only ended up hanging the larger one on the artwork with the birds.

To make the perpetual calendar using the large pocket watch, cut around the larger template from the packaging to use as a guide for the paper backing circles. I used a Tim Holtz Idea-Ology Journal Card and added extra layers for underneath using packaging.

To find the centre of the circle, fold the template into quarter (half, then half again). With this triangular shape, line up the curved edge onto your circle and using the retractable craft pick, carefully poke a hole in the centre of the backing paper.

Piece together the clock hands, spacer (2.5mm sequins are perfect) and a brad fastener (split pin). Place the larger date dial onto the paper circle and poke the brad into the paper circle so the hands are above the date dial.

On the back of the group, push back the pins and adhere tape to hold them in place on the backing piece of the pocket watch.

Just before you put the front cover piece onto the pocket watch, turn the hands to point wherever you wish. At first I used the little hand as the day and the big hand for the month, but changed it to the other way round.

While the perpetual calendar doesn't move by itself, its easy to lift off the pocket watch front piece to change the hands.
I made the smaller pocket watch in the same way, except instead of clock hands I used an old dreamcatcher earring.

One of the tiny metal feathers from the earrings was given to one of the crazy birds (top right) so he could have a magical wand too, just like his feathered friend (far left) who was given a starry wand.

Place all the characters, mirror stars, baubles, decorations and date dials according to how they make you smile.

Glue everyone and everything down (except the date dial unless you wish it to be permanent too) using a gel matte medium and add more glitter to the two wands (feather and star) as well as Santa's hat band.

I changed my mind about all the reindeer masks and only used the antlers! One was left whole for a Rudolf mask which has silver sewing thread tied to it (just like a real one) so everyone can take it in turns to wear it. The Santa mask and snowan's top hat are loose too. Don't forget to draw on eyes so they can see!

Here are a few closeups...

Finished artwork closeup photo ... Aussie Galahs dressed as a fairy and Santa Claus.

Tim Holtz Date Dial inside a Pocket Watch next to a Merry Misfit Reindeer and Bird Crazy Aussie Galah.

Aussie Galahs playing dress-ups wearing reindeer antlers and a snowman's top hat.
Also showing the glitter encrusted Idea-Ology baubles and snowflakes with an owl ornament.

Thanks so much for reading and checking out my mixed media artwork for Christmas 2019. I hope it makes you smile and encourages you to have a go. I'm here if you need help anytime :) Have fun!

Have a wonderful, happy creative day!
:)
Jenny